Звучащие пустыни: шизоанализ, исследования звука и ингуманистическая экология
Ключевые слова:
абстрактные машины, аудиальная культура, Делёз и Гваттари, электронная музыка, нечеловеческое, исследования звука, ингуманизм, территориализация
Аннотация
В статье разбирается влияние Жиля Делёза и Феликса Гваттари на современные исследования звука и утверждается, что для развития этого поля в его нынешнем состоянии важно пересмотреть шизоаналитический проект. Ингуманистическая и экологическая тенденции в гуманитарных науках ведут исследования звука к разработке концепции звукового мышления, которое занимает промежуточное положение между редукционистским материализмом и феноменологическим антропоцентризмом. В рамках шизоаналитического проекта, который является процессуальной философией абстрактных машин, предлагается синтезировать материальные-информационные и средовые-агентные подходы к исследованию звучащего в современности. Разбирая сюжеты гаванского синдрома, гула Земли и перехода от электронной танцевальной музыки (EDM) к интеллектуальной танцевальной музыке (IDM), автор набрасывает план инугманистической экологии звучащего, которая может стать картографическим расширением звукового мышления.
Литература
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Bogue, Ronald (2003). Deleuze on Music, Painting, and the Arts. London: Routledge.
Bonnet, Francois (2016). The Order of Sounds. A Sonorous Archipelago. Falmouth, UK: Urbanomic Media Ltd.
Bos, Abraham P., and Ferwerda, Rein (2008). Aristotle, On the Life-Bearing Spirit: A Discussion with Plato and his Predecessors on pneuma as the Instrumental Body of the Soul. Leiden: Brill.
Cox, Christoph (2011). “Beyond Representation and Signification: Toward a Sonic Materialism.” Journal of Visual Culture 10(2): 145–61.
Deleuze, Gilles and Félix Guattari (1983). Anti-Oedipus: Capitalism and Schizophrenia [1972]. Trans. Robert Hurley, Mark Seem, and Helen R. Lane. Minneapolis: University of Minnesota Press.
Deleuze, Gilles, and Felix Guattari (1987). A Thousand Plateaus: Capitalism and Schizophrenia. Trans. Brian Massumi. Minneapolis: University of Minnesota Press.
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Reynolds, Simon (2010). “The History of Our World: The Hardcore Continuum Debate.” Dancecult: Journal of Electronic Dance Music Culture 1(2): 69–76.
Safonov, Nikita (2019). “Viral Transduction: Toward a Question Concerning Technology of the Sonorous.” Moscow: New Literary Observer.
Schafer, Raymond Murray (1993). The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester, VT: Destiny Books.
Schrimshaw, Will (2017). Immanence and Immersion: On the Acoustic Condition in Contemporary Art. London: Bloomsbury.
Schulze, Holger (2018). The Sonic Persona. An Anthropology of Sound. London: Bloomsbury.
Shannon, Claude (1948). “A Mathematical Theory of Communication.” The Bell System Technical Journal, 27: 379–423.
Sterne, Jonathan (2003). The Audible Past: Cultural Origins of Sound Reproduction. Durham, NC: Duke University Press.
Stubbs, Alexander L., and Fernando Montealegre (2019). “Recording of ‘Sonic Attacks’ on U.S. Diplomats in Cuba Spectrally Matches the Echoing Call of a Caribbean Cricket.” BioRxivhttps://www.biorxiv.org/content/10.1101/510834v1.article-info
Swanson, Randel L., Douglas H. Smith, et al (2018). “Neurological Manifestations Among US Government Personnel Reporting Directional Audible and Sensory Phenomena in Havana, Cuba.” JAMA 319.11: 1125–33. http://jamanetwork.com/journals/jama/fullarticle/10.1001/jama.2018.1742
Toop, David (1995). Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds. London: Serpent’s Tail.
Autechre (1994). Anti-EP. Warp Records —WAP54, Vinyl, 12", 33 ⅓ RPM, 45 RPM, EP.
Barthélémy, Jean-Hugues (2012). “Fifty Key Terms in the Works of Gilbert Simondon.” In Gilbert Simondon. Being and Technology, eds. Arne De Boever, Alex Murray, Jon Roffe, Ashley Woodward, 203–32. Edinburgh: Edinburgh University Press.
Bennett, David, and Claire Colebrook (2009). “The Sonorous, the Haptic and the Intensive.”New Formations 66: 68–81.
Bijsterveld, Karin (2019). SonicSkills. Listening for Knowledge in Science, Medicine and Engineering (1920s–Present). London: Palgrave Macmillan.
Bogue, Ronald (2003). Deleuze on Music, Painting, and the Arts. London: Routledge.
Bonnet, Francois (2016). The Order of Sounds. A Sonorous Archipelago. Falmouth, UK: Urbanomic Media Ltd.
Bos, Abraham P., and Ferwerda, Rein (2008). Aristotle, On the Life-Bearing Spirit: A Discussion with Plato and his Predecessors on pneuma as the Instrumental Body of the Soul. Leiden: Brill.
Cox, Christoph (2011). “Beyond Representation and Signification: Toward a Sonic Materialism.” Journal of Visual Culture 10(2): 145–61.
Deleuze, Gilles and Félix Guattari (1983). Anti-Oedipus: Capitalism and Schizophrenia [1972]. Trans. Robert Hurley, Mark Seem, and Helen R. Lane. Minneapolis: University of Minnesota Press.
Deleuze, Gilles, and Felix Guattari (1987). A Thousand Plateaus: Capitalism and Schizophrenia. Trans. Brian Massumi. Minneapolis: University of Minnesota Press.
Entous, Adam and Anderson, Jon Lee (2018). The Mystery of the Havana Syndrome. The New Yorker. https://www.newyorker.com/magazine/2018/11/19/the-mystery-of-the-havana-syndrome
Esch, Rudi, ed. (2016) Electri_City: the Düsseldorf School of Electronic Music. London: Omnibus Press.
Gerloff, Felix, and Sebastian Schwesinger (2017). “What Does It Mean to Think Sonically?” In Navigating Noise, eds. Nathania Van Dijk, Kerstin Ergenzinger, and Walther König, 168–90. Cologne: Walther König.
Golomb, Beatrice Alexandra (2018). Diplomats’ Mystery Illness and Pulsed. Neural Computation, Vol. 30, Issue 11. Cambridge, MA: MIT Press.
Goodman, Steve (2010). Sonic Warfare. Sound, Affect and the Ecology of Fear. Cambridge, MA: MIT Press.
Goodman, Steve (2012). “The Ontology of Vibrational Force.” In The Sound Studies Reader, ed. Jonathan Sterne, 70–72. London: Routledge.
Guattari, Félix (2013). Schizoanalytic Cartographies [1989]. London: Bloomsbury.
Helmreich, Stefan (2015). “Transduction.” In Keywords in Sound, eds. David Novak, Matt Sakakeeny), 222–31. Durham, NC: Duke University Press.
Herzogenrath, Bernd, ed. (2017). Sonic Thinking: A Media Philosophical Approach. London: Bloomsbury.
Hjelmslev, Louis (1963). Prolegomena to a Theory of Language [1943]. Madison: University of Wisconsin Press.
Kahn, Douglas (2013). Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts. Berkeley: University of California Press.
Kane, Brian (2015). “Sound Studies without Auditory Culture: a Critique of the Ontological Turn.”Sound Studies 1:1: 2–21.
Kassabian, Anahid (2013). Ubiquitous Listening: Affect, Attention, and Distributed Subjectivity. Berkley: University of California Press.
Kotsopoulos, Nikos (2009). Krautrock. Cosmic Rock and Its Legacy. London: Black Dog Publishing.
LaBelle, Brandon (2010). Acoustic Territories: Sound Culture and Everyday Life. London: Continuum.
Lefebvre, Henry (2004). Rhythmanalysis: Space, Time and Everyday Life [1992]. London: Continuum.
Lyotard, Jean-François (1991). The Inhuman: Reflections on Time. Cambridge: Polity Press.
Mikkola, Anna (2016). “The Hum of the Earth: From Geomythology to Epistemological Leaps via Art (Draft for a Future Art Practise).” Design Ecologies 5.1: 34–45.
Morton, Timothy (2007). Ecology without Nature: Rethinking Environmental Aesthetics. Cambridge, MA: Harvard University Press.
Negarestani, Reza (2014). The Labor of the Inhuman, Part II. E-flux #53. https://www.e-flux.com/journal/53/59893/the-labor-of-the-inhuman-part-ii-the-inhuman/
Reynolds, Simon (2010). “The History of Our World: The Hardcore Continuum Debate.” Dancecult: Journal of Electronic Dance Music Culture 1(2): 69–76.
Safonov, Nikita (2019). “Viral Transduction: Toward a Question Concerning Technology of the Sonorous.” Moscow: New Literary Observer.
Schafer, Raymond Murray (1993). The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester, VT: Destiny Books.
Schrimshaw, Will (2017). Immanence and Immersion: On the Acoustic Condition in Contemporary Art. London: Bloomsbury.
Schulze, Holger (2018). The Sonic Persona. An Anthropology of Sound. London: Bloomsbury.
Shannon, Claude (1948). “A Mathematical Theory of Communication.” The Bell System Technical Journal, 27: 379–423.
Sterne, Jonathan (2003). The Audible Past: Cultural Origins of Sound Reproduction. Durham, NC: Duke University Press.
Stubbs, Alexander L., and Fernando Montealegre (2019). “Recording of ‘Sonic Attacks’ on U.S. Diplomats in Cuba Spectrally Matches the Echoing Call of a Caribbean Cricket.” BioRxivhttps://www.biorxiv.org/content/10.1101/510834v1.article-info
Swanson, Randel L., Douglas H. Smith, et al (2018). “Neurological Manifestations Among US Government Personnel Reporting Directional Audible and Sensory Phenomena in Havana, Cuba.” JAMA 319.11: 1125–33. http://jamanetwork.com/journals/jama/fullarticle/10.1001/jama.2018.1742
Toop, David (1995). Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds. London: Serpent’s Tail.
Опубликован
2019-07-13
Как цитировать
Safonov, N. (2019). Звучащие пустыни: шизоанализ, исследования звука и ингуманистическая экология. Stasis, 7(1). https://doi.org/10.33280/2310-3817-2019-7-1-444-465
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