Theatre for the Dead
In search for another conception of art, the article addresses to some radical avantgarde conceptions of theatre, such as Artaud’s Theatre of Cruelty and Tadeusz Kantor’s Theatre of Death, and, reflecting through the ways of recombining elements and principles of what Alain Badiou characterized as a “leftist threat” for the theatre, demonstrates a rational political kernel of their destructive force.
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