Постмодернистский апокалипсис Виктора Пелевина
Ключевые слова:
апокалипсис, Виктор Пелевин, Платонов, Поршнев, современная русская литература
Аннотация
Эта статья посвящена творчеству выдающегося российского писателя Виктора Пелевина в контексте образа и идеи конца света, ярко представленной в его произведениях. Многие романы Пелевина изображают мир, поначалу принимаемый за реальность, но оказывающийся сознательным созданием того или иного демиурга, которого автор реалистически изображает как пиарщика. Пелевин, являясь продолжателем постмодернизма и киберпанка, отличается разработкой темы антимирного символического оружия, формулы, направленной на уничтожение мира. Поводом для появления этого мотива служит желание защититься и укрыться от насилия языка, который сохраняет власть даже в отсутствии какойлибо публичной власти.
Литература
Berdyaev, Nikolay (1992). The Russian Idea. Hudson, NY: Lindisfarne Press.
Bethea, David (1989). The Shape of Apocalypse in Modern Russian Fiction. Princeton, NJ: Princeton University Press.
Blanchot, Maurice (1995). The Writing of the Disaster [1980]. Lincoln: University of Nebraska Press.
Blok, Alexander (1950). “Puppet Show.” The Slavonic and East European Review 28.71: 309–22.
Brodsky, Joseph (1986). Less Than One. New York: Farrar, Strauss & Giroud.
Čapek, Karel (1996). War with the Newts. Evanston, IL: Northwestern University Press.
Čapek, Karel (2004). R.U.R (Rossum’s Universal Robots). London: Penguin.
DaltonBrown, Sally (2014). “Looking For The Creator: Pelevin And The Impotent Writer In T (2009) and Ananasnaia voda dlia prekrasnoi damy (2011).” The Modern Lan- guage Review 109.1: 199–218.
Freud, Sigmund (1958). Collected Works, Vol. 12, Standard Edition. London: Hogarth Press.
Galt, Rosalind (2015). “The Suffering Spectator? Perversion and Complicity in Antichrist and Nymphomaniac.” Theory and Event 18.2. https://muse.jhu.edu/article/578636
Goethe, Johann Wolfgang (1994). From My Life: Poetry and Truth. Princeton: Princeton University Press.
Greenberg, Clement (1939). “AvantGarde and Kitsch.” Partisan Review, 6 (Fall): 34–49.
Heidegger, Martin (2008). “What is Metaphysics?” In Basic Writings, 89–110. New York: Harper Perennial Modern Thought.
Jameson, Fredric (1991). Postmodernism or, The Cultural Logic of Late Capitalism. Durham, NC: Duke University Press.
Kandinsky, Wassily (1999). Concerning the Spiritual in Art. New York: Dover.
LacoueLabarthe, Philippe (1999). Poetry as Experience. Stanford: Stanford University Press.
Lipovetsky, Mark (1997). Russkii postmodernizm. Ocherki istoricheskoi poetiki [Russian postmodernism. Essays in historical poetics]. Ekaterinburg: UGPU.
Lipovetsky, Mark (2008). Paralogii: transformatsii (post)modernistskogo diskursa v russkoi kul'ture 1990–2000-kh godov [Paralogies: the transformations of Postmodernist discourse in the Russian culture of the 19902000s]. Moscow: Novoe Literaturnoe Obozrenie.
Löwith, Karl (2011). Meaning in History. Chicago: University of Chicago Press.
Lukács, Georg (1971). History and Class Consciousness. Cambridge, MA: MIT Press.
Magun, Artemy (2010). “Otritsatel'naia revoliutsiia Andreia Platonova” [Andrey Platonov’s negative revolution]. Novoe Literaturnoe Obozrenie 106: 56–88.
Magun, Artemy (2017). “Boris Porshnev’s Dialectic of History.” Stasis 5.2 (forthcoming).
McGinn, Bernard (2011). Antichrist: Two Thousand Years of the Human Fascination with Evil. New York: Columbia University Press.
Nabokov, Vladimir (1990). The Defense. New York: Vintage Books.
Nabokov, Vladimir (2012a). Invitation to a Beheading. London: Penguin.
Nabokov, Vladimir (2012b). Pale Fire. London: Penguin.
Nabokov, Vladimir (2012c). Transparent Things. London: Penguin.
Pelevin, Viktor (2001). Buddha’s Little Finger. New York: Penguin Books.
Pelevin, Viktor (2002). Homo Zapiens. New York: Viking.
Pelevin, Viktor (2003). Dialektika perekhodnogo perioda iz niotkuda v nikuda [Dialectic of a transitional period from nowhere to nowhere]. Moscow: Eksmo.
Pelevin, Viktor (2009a). Sacred Book of the Werewolf. New York: Penguin Books.
Pelevin, Viktor (2009b). T. Moscow: Eksmo.
Pelevin, Viktor (2011a). “AntiAir Complexes of AlEfesbi” [in Russian]. In Ananasnaia voda dlia prekrasnoi damy [Pineapple water for a fair lady], 145–236. Moscow: Eksmo.
Pelevin, Viktor (2011b). “Operation ‘Burning Bush’” [in Russian]. In Ananasnaia voda dlia prekrasnoi damy [Pineapple water for a fair lady], 7–144. Moscow: Eksmo.
Pelevin, Viktor (2014a). Love of Three Zukerbrins. Moscow: Eksmo.
Pelevin, Viktor (2014b). S.N.U.F.F. Moscow: Eksmo.
Pelevin, Viktor (2016). Empire V. The Prince of Hamlet. London: Gollancz.
Platonov, Andrei (1978). Chevengur. Trans. Anthony Olcott. Ann Arbor, MI: Ardis.
Platonov, Andrei (1994). The Foundation Pit. Evanston, IL: Northwestern University Press.
Platonov, Andrei (2000). Zapisnye knizhki [Notebooks]. Moscow: IMLI RAN.
Platonov, Andrei (2008). Soul: And Other Stories. Trans. Robert and Elizabeth Chandler and Angela Livingstone. New York: New York Review Books Classics.
Platonov, Andrei (2011). Sobranie sochinenii [Collected works]. Moscow: Vremia.
Pomerantsev, Peter (2014). Nothing is True and Everything is Possible: The Surreal Heart of the New Russia. New York: Public Affairs.
Porshnev, Boris (2007). O nachale chelovecheskoĭ istorii [On the origin of human history]. Saint Petersburg: Aletheya.
Taubes, Jacob (2009). Eschatologie occidentale. Paris: Éditions de l’éclat.
Virilio, Paul (2005). The Information Bomb. London: Verso.
Virno, Paolo (2013). Saggio sulla negazione: per un’antropologia linguistica. Torino: Bollati Boringhieri.
Žižek, Slavoj (1991). For They Know Not What They Do. London: Verso.
Bethea, David (1989). The Shape of Apocalypse in Modern Russian Fiction. Princeton, NJ: Princeton University Press.
Blanchot, Maurice (1995). The Writing of the Disaster [1980]. Lincoln: University of Nebraska Press.
Blok, Alexander (1950). “Puppet Show.” The Slavonic and East European Review 28.71: 309–22.
Brodsky, Joseph (1986). Less Than One. New York: Farrar, Strauss & Giroud.
Čapek, Karel (1996). War with the Newts. Evanston, IL: Northwestern University Press.
Čapek, Karel (2004). R.U.R (Rossum’s Universal Robots). London: Penguin.
DaltonBrown, Sally (2014). “Looking For The Creator: Pelevin And The Impotent Writer In T (2009) and Ananasnaia voda dlia prekrasnoi damy (2011).” The Modern Lan- guage Review 109.1: 199–218.
Freud, Sigmund (1958). Collected Works, Vol. 12, Standard Edition. London: Hogarth Press.
Galt, Rosalind (2015). “The Suffering Spectator? Perversion and Complicity in Antichrist and Nymphomaniac.” Theory and Event 18.2. https://muse.jhu.edu/article/578636
Goethe, Johann Wolfgang (1994). From My Life: Poetry and Truth. Princeton: Princeton University Press.
Greenberg, Clement (1939). “AvantGarde and Kitsch.” Partisan Review, 6 (Fall): 34–49.
Heidegger, Martin (2008). “What is Metaphysics?” In Basic Writings, 89–110. New York: Harper Perennial Modern Thought.
Jameson, Fredric (1991). Postmodernism or, The Cultural Logic of Late Capitalism. Durham, NC: Duke University Press.
Kandinsky, Wassily (1999). Concerning the Spiritual in Art. New York: Dover.
LacoueLabarthe, Philippe (1999). Poetry as Experience. Stanford: Stanford University Press.
Lipovetsky, Mark (1997). Russkii postmodernizm. Ocherki istoricheskoi poetiki [Russian postmodernism. Essays in historical poetics]. Ekaterinburg: UGPU.
Lipovetsky, Mark (2008). Paralogii: transformatsii (post)modernistskogo diskursa v russkoi kul'ture 1990–2000-kh godov [Paralogies: the transformations of Postmodernist discourse in the Russian culture of the 19902000s]. Moscow: Novoe Literaturnoe Obozrenie.
Löwith, Karl (2011). Meaning in History. Chicago: University of Chicago Press.
Lukács, Georg (1971). History and Class Consciousness. Cambridge, MA: MIT Press.
Magun, Artemy (2010). “Otritsatel'naia revoliutsiia Andreia Platonova” [Andrey Platonov’s negative revolution]. Novoe Literaturnoe Obozrenie 106: 56–88.
Magun, Artemy (2017). “Boris Porshnev’s Dialectic of History.” Stasis 5.2 (forthcoming).
McGinn, Bernard (2011). Antichrist: Two Thousand Years of the Human Fascination with Evil. New York: Columbia University Press.
Nabokov, Vladimir (1990). The Defense. New York: Vintage Books.
Nabokov, Vladimir (2012a). Invitation to a Beheading. London: Penguin.
Nabokov, Vladimir (2012b). Pale Fire. London: Penguin.
Nabokov, Vladimir (2012c). Transparent Things. London: Penguin.
Pelevin, Viktor (2001). Buddha’s Little Finger. New York: Penguin Books.
Pelevin, Viktor (2002). Homo Zapiens. New York: Viking.
Pelevin, Viktor (2003). Dialektika perekhodnogo perioda iz niotkuda v nikuda [Dialectic of a transitional period from nowhere to nowhere]. Moscow: Eksmo.
Pelevin, Viktor (2009a). Sacred Book of the Werewolf. New York: Penguin Books.
Pelevin, Viktor (2009b). T. Moscow: Eksmo.
Pelevin, Viktor (2011a). “AntiAir Complexes of AlEfesbi” [in Russian]. In Ananasnaia voda dlia prekrasnoi damy [Pineapple water for a fair lady], 145–236. Moscow: Eksmo.
Pelevin, Viktor (2011b). “Operation ‘Burning Bush’” [in Russian]. In Ananasnaia voda dlia prekrasnoi damy [Pineapple water for a fair lady], 7–144. Moscow: Eksmo.
Pelevin, Viktor (2014a). Love of Three Zukerbrins. Moscow: Eksmo.
Pelevin, Viktor (2014b). S.N.U.F.F. Moscow: Eksmo.
Pelevin, Viktor (2016). Empire V. The Prince of Hamlet. London: Gollancz.
Platonov, Andrei (1978). Chevengur. Trans. Anthony Olcott. Ann Arbor, MI: Ardis.
Platonov, Andrei (1994). The Foundation Pit. Evanston, IL: Northwestern University Press.
Platonov, Andrei (2000). Zapisnye knizhki [Notebooks]. Moscow: IMLI RAN.
Platonov, Andrei (2008). Soul: And Other Stories. Trans. Robert and Elizabeth Chandler and Angela Livingstone. New York: New York Review Books Classics.
Platonov, Andrei (2011). Sobranie sochinenii [Collected works]. Moscow: Vremia.
Pomerantsev, Peter (2014). Nothing is True and Everything is Possible: The Surreal Heart of the New Russia. New York: Public Affairs.
Porshnev, Boris (2007). O nachale chelovecheskoĭ istorii [On the origin of human history]. Saint Petersburg: Aletheya.
Taubes, Jacob (2009). Eschatologie occidentale. Paris: Éditions de l’éclat.
Virilio, Paul (2005). The Information Bomb. London: Verso.
Virno, Paolo (2013). Saggio sulla negazione: per un’antropologia linguistica. Torino: Bollati Boringhieri.
Žižek, Slavoj (1991). For They Know Not What They Do. London: Verso.
Опубликован
2017-07-24
Как цитировать
Magun, A. (2017). Постмодернистский апокалипсис Виктора Пелевина. Stasis, 5(1). https://doi.org/10.33280/2310-3817-2017-5-1-86-102
Раздел
Тематические статьи
Copyright (c) 2017 Стасис
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