Art, Politics, and Truth in Heidegger’s Anti-Semitism
Keywords:
anti-Semitism, discourse on art and politics, Heidegger, Nazism, techné
Abstract
This article discusses the relation between art and politics by reference to Martin Heidegger’s essay on the “Origin of the Work of Art” (1971a). It argues that Heidegger’s Nazism and anti Semitism are not situated in his remarks on politics, but in his concept of art and technology. Alongside a reading of ideas on art and his fear of modern technology the question arises if this anti Semitism is crucial to Heidegger’s philosophy or if it is “banal” in the sense JeanLuc Nancy recently argued: banal according to Hannah Arendt’s judgment of Eichmann (Nancy 2015: 12). Banality implies for Nancy a doxa of antiSemitism that can be found not only in Heidegger’s Black Notebooks, but also in his concepts of history, technics, and modernity.
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Löwith, Karl (1942). “M. Heidegger and F. Rosenzweig, or, Temporality and Eternity.” In Philosophy and Phenomenological Research 3.1: 53–77.
Lyotard, JeanFrancois (1990). Heidegger and the Jews. Trans. Andreas Michael and Mark S. Roberts. Minneapolis: University of Minnesota Press.
Nancy, JeanLuc (1991). The Inoperative Community. Trans. Peter Connor, Lisa Garbus, Michael Holland, Simona Sawhney. Minneapolis: University of Minnesota Press.
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Schürmann, Reiner (1990). Heidegger. On Being and Acting: Principles to Anarchy. Bloomington: Indiana University Press.
Weber, Samuel (1989). “Upsetting the Set Up: Remarks on Heidegger’s Questing after Technics.” Modern Language Notes 104.5: 977–92.
Žižek, Slavoj (2000). The Ticklish Subject. London: Verso.
Published
2016-12-10
How to Cite
Wünsch, M. (2016). Art, Politics, and Truth in Heidegger’s Anti-Semitism. Stasis, 4(2). https://doi.org/10.33280/2310-3817-2016-4-2-132-144
Section
Articles
Copyright (c) 2016 Stasis
This work is licensed under a Creative Commons Attribution 4.0 International License.
